Sunday, October 26, 2025

Hunger with no Meaning-Sylvia Chen

When I first read The Second Bakery Attack, I was struck by its strange sense of normalcy. The story feels both mundane and surreal. A newly married couple wakes up in the middle of the night, consumed by hunger. They decide to (rob/attack?) a bakery, but end up at a fast-food restaurant instead. Everything about the night is absurd, but Murakami’s narration stays calm and detached, as if this were a normal night.

That tone is emotionless, which fascinates me. But it catches something true about real life. People often act irrationally, not because of grand motives, but because of small, human impulses, like boredom, emptiness, or hunger. 

And the relationship between the husband and wife shows the tension perfectly. The husband, who tells the bakery story first, but after hesitates in his words. The wife, in contrast, is decisive. Her simple word, “Attack another bakery. Right away”, changes the entire night. In that moment, the couple’s passivity breaks. Their decision is driven by a shared need to act, to fill the silence of their lives.

I think the action of attacking the bakery itself has no real meaning. What matters is that they finally do something. Every day life often traps people in repetition—eat, sleep, work, repeat. By stepping out of that routine, even through an absurd act, they recover a sense of control. When they finally eat burgers, they don’t only gain physical nourishment, but also relief. Their hunger fades not only because of food, but because the act itself gives meaning to the moment.

Murakami makes everything stay implicit. The story ends quietly; they eat, feel full, and go home. No police, no guilt, no reflection. The night simply passes. Perhaps that is Murakami’s quiet message. Not every action carries meaning. Sometimes people move, speak, or decide for no reason other than the desire to feel alive. Perhaps, within that simplicity, lies the most honest truth.


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